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Comprehensive Technique For Jazz Musicians재즈 뮤지션을 위한 종합 테크닉 교본[00030455]

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Comprehensive Technique For Jazz Musicians
재즈 뮤지션을 위한 종합 테크닉 교본
[00030455]

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제조사
Houston Publishing
원산지
미국
출시일
1999-01-01
네이버
마일리지 :
적립

Comprehensive Technique For Jazz Musicians
재즈 뮤지션을 위한 종합 테크닉 교본
[00030455]

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상품상세정보 배송안내 교환 및 반품안내 상품후기 (2) 상품문의 (0)

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Comprehensive Technique For Jazz Musicians 재즈 뮤지션을 위한 종합 테크닉 교본
For All Instruments

출판사	Houston Publishing
저자	Bert Ligon
아이템 #	00030455
ISBN	9780634001765
분량	336 페이지
원산지	미국

모든 악기의 재즈를 공부하는 학생들을 위한 실용적이고 종합적인 재즈 테크닉 교본입니다. 논리적으로 잘 짜인 내용들이 재즈와 클래식 음악에서 실제 사용되는 예제들을 통해 자세히 설명되어 있습니다. 재즈 연주의 기술, 작곡, 이론 등이 다양한 예제들과 함께 이론적으로 잘 소개되어 있는 재즈 공부의 필독서입니다. - Contents - INTRODUCTION Technique Book Format Improvisation I. BASIC EXERCISES Routine Tips for Practice Practicing by Limiting Practice in all Twelve Keys Scales for Improvisation Scale Practice Arpeggio & Broken Chord Practice Other Melodic Scale & Arpeggio Patterns Patterns with 3rds Patterns with Neighbor Tones Cyclical Quadruplets Diatonic Chords Diatonic Seventh Chords Chromatic Embellishment Diatonic Triads with Lower Neighbor Tone Embellishment Neighbor Tones Applied to Arpeggios & Broken Chords Upper Neighbor Tones Lower Neighbor Tones Combining Upper & Lower Neighbor Tones on Arpeggio & Broken Chord Exercises Encircling Chord Tones with Upper & Lower Neighbor Tones Scales Preceded with Upper & Lower Neighbor Tone Encircling Common Chromatic Approach II. 7th & 9th CHORD ARPEGGIOS Seventh Chords Ninth Chords Arpeggios preceded with Upper & Lower Neighbor Tone Encircling III. TRIADS & GENERALIZATION Pitch Hierarchy Basic Elaborations of Triads F Major Triad F Minor Triad Triad Motive Developed Triadic Elaboration Logo Variations Triadic Generalization Triadic Musical Examples Application of Triadic Generalization Broken Chord Exercises Blues Lines Blues Scale Musical Examples Major Blues Scale Minor Blues Scale Combination of Major & Minor Blues Scales General Blues Exercises Blues Lines & Ending Riffs IV. MELODIC MINOR SCALE EXERCISES Melodic Minor Scales & Modes Seventh Mode: Supcrlocrian #9-♭9-R-7 Pattern Minor 1-2-3-5 Pattern Major 1-2-3-5 Pattern Combination of 1-2-3-5 Patterns Ø7 Arpeggios over Altered Dominant 7th Lydian Dominant Lydian Augmented Locrian #2 Combination of Modes Melodic Minor Exercises Arpeggio Patterns from Melodic Minor 1-2-3-5 & 1-2-3-4-5 Patterns from Melodic Minor 1-2-3-5 Pattern Variations Triads Tritonc Substitution & Melodic Minor Chords Relationship of Altered Dominants, Lydian Dominants & Melodic Minor Scales Secondary Dominants & Tritonc Substitution V. DIMINISHED SCALE EXERCISES Whole-Half Diminished Scales Half-Whole Diminished Scales Diminished Scale Musical Examples Diminished Scale Exercises Diminished Scale Lines over Traditional Harmony VI. MOTIVIC & PENTATONIC PATTERNS C Major Pentatonic & its Relative A Minor Pentatonic C Major Pentatonic & its Parallel C Minor Pentatonic Basic Pentatonic Exercises Diatonic Triads of the Major Pentatonic Scale Diatonic Triads of the Major Pentatonic Scale in All Inversions Superimposition Formulas Side-Slipping & Planing Quartal Sounds Exercises for Planing & Side-Slipping Three Note Melodic Motives Four Note Melodic Motives Five Note Melodic Motives Six Note Melodic Motives Eight Note Melodic Motives Pentatonic Applications over Traditional Harmony Motivic Development Motivic & Compositional Development Devices VII. 1-2-3-5 PATTERNS Major 1-2-3-5 & Minor 1-2-3-5 Patterns Exercises Application to individual Chords Exercises 1-2-3-5 Exercises Applied to Harmonic Progressions 1-2-3-5 Patterns in Cadences to Major 1-2-3-5 Patterns in Cadences to Minor 1-2-3-5 Patterns over Turnarounds Exploring Mathematical Possibilities 1-2-3-5 Patterns Applied to Standard Jazz Compositions 1-2-3-5 Patterns Contradicting the Harmony VIII. TRIADIC SUPERIMPOSITION Superimposition of Major Triads over Major 7th Chords Superimposition of Major Triads over Minor 7th Chords Superimposition of Major Triads over Dominant 7th Chords Superimposition of Minor Triads over Dominant 7th Chords Superimposition of Major Triads over Half & Full Diminished 7th Chords Triad Super Imposition Exercises Triad Superimposition Applied More Exercises IX. LINEAR IMPLICATIONS OF HARMONY Compound Melodies X. EXTENSIONS & CONNECTIONS Extended Tertian Exercises Arpeggio Extensions Exercises XI. AUGMENTED SCALE EXERCISES Augmented Seale Exercises XII. QUARTAL EXERCISES Extended Quartal Arpeggios Applied to Harmonie Progression in Minor XIII. DOMINANT CHORD CYCLES XIV. DEVELOPING JAZZ EXERCISES XV. OUTLINE EXERCISES Outlines over ii7 - V7 in Major Outlines over iio7 - V7 in Minor Outline Exercises Outlines over Key Center Cycle Outlines in Combinations Common Chromatic Approaches Outlines over Longer Progressions More ii7 - V7 - 1 & iiØ7 - V7 - i Exercises Developing & Practicing Outline Exercises How to Ixam Exercise 15.114 in All Major Keys Exercises with Quicker Harmonic Rhythm Outlines in Combinations Elaborated Excerpts from Solo Transcription XVI. APPLICATIONS & ETUDES Learn the Melody Agendas Application of Several Concepts over One Progression, Part One Application of Several Concepts over One Progression, Part Two Application of Several Concepts over One Progression, Part Three Etudes on Standard Progressions Etude No. 1 Etude No. 2 Etude No. 3 Blues Etudes Blues Etude No. 1 Blues Etude No. 2 Blues Etude No. 3 Blues Etude No. 4 Blues Etude No .5 Blues Etude No. 6 Blues Etude No. 7 More Etudes on Standard Progressions Etude No. 4 Etude No. 5 Etude No. 6 Etude No. 7 CODA