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버클리 기타 교재 (온라인 음원 포함) A Modern Method For Guitar Volume 3 [00292989] Berklee

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버클리 기타 교재 (온라인 음원 포함) A Modern Method For Guitar Volume 3 [00292989] Berklee

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Berklee Press Publications
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미국
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1987-08-01
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버클리 기타 교재 (온라인 음원 포함) A Modern Method For Guitar Volume 3 [00292989] Berklee

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A Modern Method For Guitar - Volume 3 (Berklee) 모던 메쏘드 포 기타 3권 (온라인 음원 포함) 버클리 기타 교재
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출판사	Berklee Press Publications
저자	William Leavitt
아이템 #	00292989
분량	168 페이지
원산지	미국

버클리 음악 대학에서 기타 프로그램의 기본 교재로 사용하는 매우 실용적이면서도 이해하기 쉬운 기타 교본입니다. 실력향상을 위해 갖추어야 할 기타리스트의 기본적 기술들 - 스케일을 위한 테크닉, 아르페지오, 리듬기타, 코드/스케일 관계, 코드 구조와 발성, 고급 연주를 위한 팁 등 - 을 Volume 1과 2에 이어서 더 자세하고 심도있게 다루고 있습니다. 할 레오나드에서 새로 펴낸 이 판에는 예제의 음원들이 온라인으로 함께 제공되어 혼자 공부하기에 더 편리합니다. - Contents - Evolution of Twelve Major Scale Fingering Patterns A Refined Definition of Position Speed Study "Solo in Bb" Rhythm Guitar - The Right Hand (Rhumba) Explanation of Voices in Chords Triad Studies - Chords in C Major (Close and Open Voicings) Afjacent Strings - Common Finger Exercises Major Scales - Position II (Twelve Keys Ascending Chromatically) Principal Real Melodic Minor Scale - Position II (Nine Pactical Fingerings) Triad Studies - Chords in G Major (Close and Open Voicings) Arpeggios - Three-Note Chords - Major Triads Arpeggios - Three-Note Chords - Minor Triads About Chord Symbols Reference Chart for Major Scale Fingering Types Major Scales - Position III (Twelve Keys Descending Chromatically) "Melodic Rhythm Study No.8" (duet) About Practicing Triad Studies - Chords in F Major (Close and Open Voicings) Technical Study About Chord Construction Major Scales - Position IV (Twelve Keys Through Cycle 5) Principal Real Melodic Minor Scales - Position IV (Nine Practical Fingerings) Chord Construction - Four-Part Harmony Arpeggios - Four-Note C Chords Rhythm Guitar - The Right Hand (Tango, Merengue) C Major Scales (Twelve Positions) Natural Minor Scales Modes - A Brief Discussion Harmonic Minor Scales A Harmonic Minor (Nine Positions) "A Minor Etude" (solo) Melodization of Triads Recognition of Melodic Degrees - Altered 5 and #4 About Chord Voicings Arpeggios - Four-Note F Chords Arpeggios - Four-Note G Chords Chords-Scale Relationships - Dominant 7 Chords Major Scales - Position V (Twelve Keys Descending Chromatically) Principal Real Melodic Minor Scales - Position V Chord Construction - Three-Note Voicings Melodization of Tonic Major Chords Melodization of Tonic and Subdominant Minor Chords Diminished Scales - In Position Chord Construction (Three-Note Voicings) Domininant 7 Chords (Preparation of Close Voicings) Recognition of Melodic Degrees - Dominant 7 Chords Speed Study Arpeggios - Four-Note Bb Chords Arpeggios - Four-Note D Chords "Melodic Rhythm Study No. 9" (duet) Rhythm Guitar - The Right Hand (Mambo, Bolero, Conga) Legato-Stacatto (Explanation of Portato) F Major Scale (Twelve Positions) D Harmonic Minor (Nine Positions) "Etude in D Minor" (solo) Melodic Embellishment - The Appoggiatura Rhythm Guitar - The Right Hand (5/4 Swing) About Altered Chords and Chord Degrees Arpeggios - Four-Note Fb Chords Arpeggios - Four-Note A Chords Chord Construction - Three Notes - Melodization of Dominant 7 Chords Melodization of I Minor Chords with Harmonic Minor Scale Arpeggio Studies - 7th Chords "Melodic Rhythmic Study No.10" (duet) Major Scales - Position VII (Twelve Keys Ascending Chromatically) Principal Melodic Minor Scales - Position VII Chords (Three Notes) Melodization of Diminished Triads (Including Open Voicings) Chords (Three Notes) Melodization of Augmented Triads (Including Open Voicings) Arpeggios - Four-Note Ab Chords Arpeggios - Four-Note E Chords G Major Scale (Twelve Positions) E Harmonic Minor (Nine Positions) "E Minor Etude" (solo) Chord-Scale Relationships - Dominant 7 Chords Practical Fingers for Moving from Position to Position Chord Construction (Three Notes) Diminant 7 Chords - Preparation of Close and Open Voicings Arpeggios - Four-Note Db Chords Arpeggios - Four-Note B Chords Rhythm Guitar - The Right Hand (Samba) "Polka dot" (Polka-Duet) Major Scales - Position VIII (Twelve Keys Through Cycle 5) Chords (Three-Note Voicings) Melodiza of Tonic Major Chords Melodization of Minor 7 Chords as VIm7 (Diatonic Substitution Explanation) Melodization of Subdominant Major Chords Melodization of Minor 7 Chords as IIm7 Arpeggios - Four-Note F# Chords Arpeggios - Four-Note Gb Chords Arpeggios - Four-Note C# Chords Arpeggios - Four-Note Cb Chords Chords (Three-Note Voicings) Dominant 7 Chords - Open Voicings - All Inversions B Major Scale (Twelve Positions) G Harmonic Minor (Nine Positions) "Etude in G Minor" (solo) Arpeggios - Diminished Chords (Spelling Most Used) Arpeggios - Dominant 7 (b5) Chords Theory : Diatonic 7 Chords - Harmonic Minor (Including Diatonic Substitutions) Arpeggio and Scale Study Chords (Three-Note Voicings) Melodization of Subdominant Minor 6 Chords Melodization of Minor 7(b5) as Altered IIm7 Chords Melodization of Dominant 7 Chords as IV7 and bVII7 Melodization of Dominant 7 Chords as IV7 Major Scales - Position X (Twelve Keys Through Cycle 5) Principal Real Melodic Minor Scales (Position X) Chords (Three-Note Voicing) Major 6 and Major 7 Chords - All Inversions Chord Construction - Five-Part Harmony Five-Note Arpeggios Major 7/9 and Dominant 9 Chords "Daydreams" (duet) Five-Note Arpeggios - Minor 9 and Diminished 9 Chords D Major Scale (Twelve Positions) B Harmonic Minor (Nine Positions) "B Minor Etude" (solo) Chords (Three-Note Voicings) Dominant 7 Chord Study with b5 (Chromatic Approach)in the Bass About Chord Progressions (Cycle 5) Theory : Interchaneable Chord Structures Rhythm Guitar - The Right Hand (Joropo, Nanigo) Arpeggio Study - Seventh Chords Chords (Three-Note Voicings) Melodization of Minor 7 Chords as IIIm7 Melodization of Minor 7(b5) Chords as IIIm7(b5) Chromatic Melodization of Dominant 7 Chords (Close and Open Voicings) "Melodic Rhythm Study No.11" (Optional Duet with Rhythm Guitar) Five-Note Arpeggios - Minor 6(9), Dominant 9sus4, and Dominant 7(b9) Chords (Three-Note Voicings) Minor 7 and Minor 6 Chords - Close and Open Voicings Minor 7 Chords - Open Voicings - All Inversions IIm7-V7-I Chord Study Chord-Scale Relationships - Special Alterrations on Dominant 7 Chords "Pretty Please" (duet) Five-Note Arpeggios - Domminant 7(+9) Chords Harmonizing of a Melody - From a Lead Sheet with Chords Indicated Eb Major Scale (Twelve Positions) "Etude in C Minor" (solo) Chord-Scale Relationships - Major Chords, Minor 7 Chords Chords (Three-Note Voicings) Minor 7 and 6 Chords - Close and Open Voicings Minor 6, Minor 7 Chords - Open Voicings, All Inversions Five-Note Arpeggios - Domminant 7(+5, +9), Dominant 9(+5), and Dominant 7(+5, b9) Chords Chords (Three-Note Voicings) Melodization of I Minor Chords with Harmonic Minor Scale Melodization of IIm7(b5) Chords with Harmonic Minor Scale Melodization of Dominant 7 Chords with Harmonic Minor Scale "Teeah-Wanna" (Optional Duet with Rhythm Guitar) Rhythm Guitar - The Right Hand ("Paso Doble") Chord Study - Minor 7 with b5 (Chromatic Approach in the Bass) Chord Spelling - Five-Note Arpeggios - Minor (maj7/9) and Dominant 7(b5, b9) Chords Chord-Scale Relationships - Minor 6 and Minor 7(b5) Chords A Major Scale (Twelve Positions) F# Harmonic Minor (Nine Positions) "F# Minor Etude" (solo) Chord Spelling - Five-Note Arpeggios - Dominant 7(b9) sus4 and Dominant 9(b5) Chords Chord (Three Notes) Study in F Major and Study in F Harmonic Minor Chord Spelling - Five-Note Arpeggios - Dominant 7+9 sus4 and Dominant 7(b5, +9) Chords Additional Fingerings for Minor Scales Chord-Scale Relationships - Diminished 7 Chords - Augmented Traids Chords - Preparation of Four-Part Open Voicings - Adding the 5th Degree Preparation of Four-Part Open Voicings - Adding the Root Chord Spelling - Five-Note Arpeggios - Minor 9(b5) Chords About Improvisation "It's Late" (dute) Chords - Preparation of Four-Part Open Voicing - Adding the 3rd Degree Preparation of Four-Part Open Voicing - Adding the 7th Degree Scale-Chord Relationships - Major, Hamonic Minor, Real Melodic Minor, Whole Tone, and Diminished as Related to Chords